Hoping for reco's of artists/sites/articles that could help in developing VERY blocky material ('flaw-to-feature' work...have exhausted G.Potter!)

SU2

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I'm hoping for non-Graham Potter videos, articles, sites etc etc that would help me get ideas on how to proceed with the *styling* directions for such monstrous stock as this:
a.jpg

That's ^ my first-ever collection, didn't get the chance to cut that trunk-line myself though I'm unsure I'd have had the foresight at that stage to've realized this probably should've been a couple FEET taller, anyways this is just the worst-offender but I've got quite a good # of such materials, things where it's not a straight-trunk that I can just count on new primaries rolling-over the wounds (ie I don't see any way the wounds could possibly close, the area to be closed is just too-large and will surely rot-through before being calloused-over!)

I LOVE Graham Potter's videos but am hoping to find others like him, ideally I'd find articles that go over theory of developing such things instead of solely case-examples, obviously the latter helps (has literally helped me many times, I've got enough similar stock I've been able to take a cue from what he's done and apply it to mine) but it's not enough to help me come up with any ideas for a stump like the one pictured, that thing is just growing a bush on top of it and I've no clue what direction to take it! I've got angle-&die-grinders, rasp bits&disks, 4" chainsaw-disk for the angle-grinder, lime sulfur....am ready&able to do the work but no matter how many times I start drawing-out a concept for it I just can't find anything that I feel 'works' :/

Thanks a ton for any direction/guidance here! Am comfortable with wounds like this guy:
20180726_153154.jpg
because I know I'll have it healed-over in a couple years, but for instance this crape is something I have no idea what to do about that chop-wound that'll just never roll-over:
a.jpg
It ^ was something that was large once and then (obviously!) cut-back to a stump, where those 5 top nubs then become large ~7'+ branches, I found it at that stage last year and I simply cut the 5 nubs back to what's shown in the pic & potted it up, giving me yet another bush-on-a-block:
20180724_104608.jpg
it was ^ this guy that prompted me to post right now, as I just gave it a hard-prune and went in to carve some 'contour' between the deadwood-topped-stump and the new growth, and found that the long-exposed heartwood was, in many areas, so decayed that my rasps would just *fly* through it...I realized then that the decay rate of the heartwood is not something I can hope the new growth will out-pace and callous-over... the entire center of this guy is a 'coppiced' flat area that'll never get rolled-over so I started to think "will this specimen ultimately be nothing but branches&cambium, with a fully-hollowed-out trunk?" - and I couldn't answer it! I've been developing it with the goal of a very squat version of a regular crape myrtle (basically a bushy-broom style), but if I can expect that the central trunking's heart-wood will, within years, be so decayed it needs to be carved-through to the substrate, well, it makes me think I need to address that NOW in terms of the direction I'm growing it, that it'd make sense to do the radical cuts now - even if that means that I'm cutting-off half the trunk and making unique, half-deadwood specimen, I just want to prevent building-up a canopy on a faulty foundation, if that makes sense!!

Thanks a ton for any guidance on this, any advice or links are greatly appreciated, whether your advice or articles or progress-album-url's or youtubes, anything dealing in these types of bad-stock would be great!!
 

my nellie

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Hello,
Francois Jeker who I mentioned in the other thread has also published a book on carving deadwood.
I don't own it, I haven't seen the book but I thought I should share.
You can see it at StoneLantern

But I'm sure you already know about Kevin Wilson.
You can walk through his webpage and take a look at his portfolio.
 
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markyscott

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BE.REAL

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Hello,
Francois Jeker who I mentioned in the other thread has also published a book on carving deadwood.
I don't own it, I haven't seen the book but I thought I should share.
You can see it at StoneLantern

But I'm sure you already know about Kevin Wilson.
You can walk through his webpage and take a look at his portfolio.


Just saw this thread and thought I would share. I have The F.Jeker book, and would say it was worth the 25US. I plan more extensive deadwork this winter and will be sure to flip back through it numerous times. It is one of a bunch of books stacked in my Bathroom, ha, TMI.
I will also add the pic's in it are good, and sometimes the choice tips are the comments about the pictures, haha. So if you do get it, read it carefully.
Happy trees
 

Adair M

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And then, I have to ask the question of why are you obtaining material that you have no idea of how to handle? I can see obtaining stuff you think will be a challenge, where you can see a future. But not every stump can be a bonsai. At least, not within your lifetime!

You could keep some of the stumps from rotting, I suppose by the timely application of some type of sealant. Needs to be done before the rot sets in.

I don’t think the issue is a matter of finding the proper teacher/master, I think it’s an issue of learning what constitutes proper starting material.
 
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