Will you style it towards a "raft"?
Different trees on that DW hill?
Sorce
least favorite
Looks like a hostage.
I like the whole thing. It’s a fallen tree, the base says that much so if you get rid of everything left of those trunks then the illusion is gone. I don’t think usual bonsai rules apply with pieces like this.
Agreed, good summary. The visual on this clearly reads fallen, half dead, recovered. That's the heart of this trees character. I don't normally like long and straight but it's at the core of this trees' image and works for that reason.I like the whole thing. It’s a fallen tree, the base says that much so if you get rid of everything left of those trunks then the illusion is gone. I don’t think usual bonsai rules apply with pieces like this.
I get that, it’s an interesting thought. When I see this tree I get the image of a fallen giant spanning the gap of a tropical ravine. I’d like some overhang if it were mine, to give a little instability to the piece. The canopy will hold people in sway.I think the only way to not lose viewers to the next tree on display, is to have this in a pot/slab with enough extending out under the entire Jin length.
So the eyes move from the end of the Jin, down to a red accent patch of moss, and back right and up the trunk again.
Otherwise it's just pointing the viewer to the next tree.
This seems a harder piece of material to ponder without pondering into what doesn't yet exist.
Sorce
Where is this literati of which you speak?Either that or I go full literati.
I get that, it’s an interesting thought. When I see this tree I get the image of a fallen giant spanning the gap of a tropical ravine. I’d like some overhang if it were mine, to give a little instability to the piece. The canopy will hold people in sway.
Where is this literati of which you speak?
I think the only way to not lose viewers to the next tree on display, is to have this in a pot/slab with enough extending out under the entire Jin length.
So the eyes move from the end of the Jin, down to a red accent patch of moss, and back right and up the trunk again.
Otherwise it's just pointing the viewer to the next tree.
This seems a harder piece of material to ponder without pondering into what doesn't yet exist.
Sorce