My very favorite pot.I forgot how I used to make these, I know some were accidental. Today I made templates for this. I love this shape.
View attachment 343377
Sorce
My very favorite pot.View attachment 343381
This one seems IMPOSSIBLY masculine,
I may've made a little bigger deal out of its masculinity, but I don't see much feminine in this design. The only nuance that seems to soften the masculinity is the slight flare at the base.I been meaning to ask you for an extended definition of this.
I think it's because anything without a pronounced lip, I consider Feminine. Though I don't really work with this in consideration much at all.
I would appreciate any thoughts and further conversation on the matter!
Sorce
@bwaynef , I'd like to hear more of what your, and everyone's, definition of "crisp" is. Where do you draw the...line, between crisp and not crisp, "Perfect"-"not perfect", next level-subpar?
To me, too perfect seems factory produced, so I don't mind working just before perfect. Enough sign of hands to know it's not slip cast. Leaving what gives the pot it's energy.
These four corners are technically different to me. This profile edge is what I consider the most important as far as "perfect", since it determines directionality more than anything except further decor or glaze.
So my personal realm of perfect, is within .5% of something intended to be symmetrical. This is about 1% off.
View attachment 343210
Thanks for your Thoughts.
Sorce
Not yet, I realized the other day I haven't used this clay for this style yet. Been making smaller quicker stuff to see how it fires. Except one oval which spanned 12inches and didn't sag so I expect this to stay as straight. Likely vitreous at Cone 8, I've tested it vitreous at 7 and 9, cracks at 10. So this and my blend will be all over the middle 3 shelves of my biggun, Debbiezula. It will probably fire well at the bottom of my baby kiln too, which is nice, because the heavy wood stoking can turn it brown.
View attachment 343285
That ash glaze is finally beading up for a drip too!
As far as that French Word, French?...
I got a couple smaller rectangles with some texture and further linage that'll likely get fired tomorrow!
Thanks! Get that 1k!
Sorce
Difficult to picture the right tree in it. Interesting glaze for sure.This clay doesn't like drying with the furnace on. Cracked. I ash glazed it and fired it anyway, glad so.
View attachment 350880View attachment 350881
Half Cone 6 Half Cone 8! It's probably not gonna test vitreous so it will get thrown into the winter for testing for real!
View attachment 350882
Would you use a pot with an ash glaze like this?
Kinda makes it untradishish.
Sorce
Thought it might help put the "melt" back in "melted" for @Owen Reich , BTW @Bonsai Nut I see the already completed Teleperion Relief on the Banner, and Owen hasn't reached his goal yet. Sorry to jam it in here.Interesting glaze for sure.
@sorceI think this would meet most definitions of crisp ... I appreciate the line (curve) created by the flare at the bottom but everything that's straight ...seems to stay that way for the length of its run.
Has this pot made it through any firings?
This is an example of what I'm looking to avoid. The build process looks clean and sleek and smooth, but the drying and firing process introduces a degree of randomness that ruins what once was.
I can't picture something right off, but maybe a quince,Would you use a pot with an ash glaze like this?
Funny thing, I seem to have a lot of his pots also..........I’m somewhat surprised that Chuck Iker’s name hasn’t come up. I own eighteen or twenty of his pots, from mame size up to one my wife has threatened to bake an apple pie in. He tends to work largely in the round, but when he does do the occasional rectangular form, I would describe it as crisply elegant. All of his pots that I own are beautifully glazed, light and tasteful in form, and finished as though they are waiting to welcome the right occupant. He does not do sloppy “rustic” pinch pots, or amorphous slabs. I consider him one of the best American bonsai potters working today [obviously, or else I wouldn’t have a whole “Chuck” section in the display cabinets in my workroom]. If you’re not willing to buy a patinated antique pot from Japan, you’d be hard pressed to surpass his work for elegant beauty.
The other name to which I would draw attention is Ashley Keller, the Canadian artist. Sadly, it seems that she has left bonsai pots behind to produce custom ceramic tiles. I have a couple of little 3” accent pots from her that are just breathtaking. Lucky I got them before she moved on.
one (non-primitive) pot that isn't round
I agree. I've probably commented on this before, but while I like the glaze on this, it has great texture and movement, I really like the form. I have samples of it in a notebook with pottery designs and had intended to try to replicate it.My very favorite pot.View attachment 343381
That rectangle is sweet!This is more along my lines of traditional.
View attachment 350915
View attachment 350916
Thought it might help put the "melt" back in "melted" for @Owen Reich , BTW @Bonsai Nut I see the already completed Teleperion Relief on the Banner, and Owen hasn't reached his goal yet. Sorry to jam it in here.
View attachment 350917View attachment 350918View attachment 350919
And just for something easier to pair.
View attachment 350920
View attachment 350921
View attachment 350922
Sorce