Again, I really enjoy the idea that these displays can evoke stories and ideas. It reminds of the way abstract art and poetry works for me: that part of the meaning come from the artist or poet, and another part of the meaning comes from the observer.
For me, what is evocative in this display is the presence of man:
I like the juxtaposition of the man-made "thorns" of the barbed wire and its counterpart in the natural world---the thorns of the pyracantha.
The other interesting juxtaposition I find is the interplay between the carefully controlled styling of the bonsai, and the "unkemptness" of the accent. Again, I sense the presence of man in the bonsai artist's mastery over his (or her) material. The "wildness" of the accent suggests, to me, something more "natural" in contrast to the careful placement and planning of the branches in the bonsai.
I'm wondering how the scroll might fit into this scheme....
The fencepost and the barbed wire suggests to me the idea of man-made borders; maybe something a butterfly would not be aware of. The fence is in disrepair, and is overgrown. Perhaps Nature has the upper hand...
P