That's correct, rockm. Let me just quote two salient sections of the book.
The first quote contains the opening paragraphs of the chapter, "Pete's Peak and Pete's Bog," from the middle section of the book, called The Main Trunk, which contains contemporary stories of Dan's approaches to collecting and styling trees:
He plans to drive up the highway that hugs the eastern coast of Vancouver Island along the Inside Passage, hoping to rendezvous this evening with his collecting buddy, George Heffelfinger, in a small town named Duncan. From there they will head north in Dan’s truck to collect wild trees.
He encourages them to start with more mature trees, already at least twenty years old. Such older trees are not only immediately more attractive as bonsai, but they have also proven themselves as survivors. Collected, ancient, wild trees, like the ones he’s after on this trip, are ideal.[/I]
“But if that beginning workshop costs $500, and you come home with something significant, something worthy of being in the show that coming spring, that might capture some people who can afford this hobby. Everything about our process seems in error, a failure to engender in the curiosity seeker any true sense of satisfaction. You’ve got to capture that moment of curiosity, and deliver satisfaction - not the promise of tomorrow.
" . . . You’ve got to get into large trunk size: those are the trees at a show that will elicit a ‘Wow!’, that will inspire someone to really dive into this hobby."