cmeg1
Imperial Masterpiece
Wow what a process! I said it before and I’ll say it again.It is nice to see it get the work like rootgrafts and such.Thanks for the detail photos.
Root grafts are going to make this tree untouchable. It is already quite a beast, but moving it up like that will add so much to the image. This tree has quite a story ahead...
Thanks for sharing.
Truly awesome. So glad it isn’t just another pine tree shape trident. I want you to teach me wiring so bad. Also, is the wire insulated copper?
I have some of the pins that you used when doing these root grafts. I have a couple trees that need similar grafts this spring. I don't have any experience with grafting so I've selected trees that I'm not too attached to and I've also practiced on a few branches I removed when pruning. I have a heck of a time getting those pins in far enough that I feel confident the seedling won't push it out without bending them. Do you just press them in by hand or do you use a small hammer? And do you press the pin in right next to the channel, or do you try to put it in the channel with the seedling being grafted? Tree looked amazing before and it is going to be even better in two to three years.
I noticed that you used coated copper wire. Is there a particular reason for the coated wire other than a stronger hold once bent into place?
Sergio,
How do you address the design challenges of this tree? It clearly doesn't represent a trident maple in its natural form, nor the typical form of a deciduous bonsai. However as I think we'd both agree, it's a very compelling trunk. Do you still design the branching to look like a trident even though the trunk does not? Do you make it look like an old oak even though it's a trident? I'm glad you agree that the pine-styling of tridents is overrated, too many of those we've seen.
Your humble servant,
S. Dogwood
Good question. In this case, I aim at something that resembles a powerful old oak. Not really concerned here if it looks like a trident in the wild. My aim is to capture a deciduous form in nature regardless of species. For it to be convincing, the powerful trunk needs a rather large canopy that approaches something of a broom form. This will take several years to attain.
Sir, thank you kindly for the response! When you say your "aim is to capture a deciduous form in nature regardless of species", is this an approach you apply towards all of your bonsai? Or just in this scenario?
Your humble servant,
S. Dogwood
Fascinating sir, thank you for the enlightenment of your approach! Natural within the parameters of deciduous but not necessarily within the species. I notice from your website and posts on here that you mostly work with already established trunks and contribute the branching/fine ramification rather than grow from very young material. Do you think if you were growing from cutting, seed or air-layer, you would have the same approach? For example if you were growing a trident maple from seed, would you grow it to look like a "powerful old oak" like you intend to make Piglet appear, or would you go a different way?I would say that for most of my work I don't really get too concerned with designing my bonsai to represent its own species in nature. For example, my Japanese maple 'Sharp's pygmy' was modeled after an acer saccharinum (silver maple). The main thing is to capture a deciduous form that looks natural.
Fascinating sir, thank you for the enlightenment of your approach! Natural within the parameters of deciduous but not necessarily within the species. I notice from your website and posts on here that you mostly work with already established trunks and contribute the branching/fine ramification rather than grow from very young material. Do you think if you were growing from cutting, seed or air-layer, you would have the same approach? For example if you were growing a trident maple from seed, would you grow it to look like a "powerful old oak" like you intend to make Piglet appear, or would you go a different way?
Your humble servant,
S. Dogwood
Speaking as someone that grows all my own stuff, it gives you great freedom - you build a trunk that is pleasing to you and ones that might add interest to your collection. For example, over the years I've had very few rafts and clump style trees so I have several on the go now. If you start fairly young you eventually end up with a conveyor belt system where you have new material maturing and being harvested every year or two. It gives you a much greater insight into key areas of bonsai such as thickening and healing rates and its relationship to foliage mass, use of sacrifices, backbudding potential, how to do an effective chop etc.Yes, I believe the approach would still be the same. If I was starting from seed, I would probably grow a variety of "styles". From thin, tall and more elegant trees to heavier and more stout ones. I like variety and the creative challenges each form presents.
Looked like this in 2009.
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