People are motivated by different things. I love Japanese pots. Mark R. Wrote some nice things about some members pots here. I wasn’t so moved as he was. I have about 75 really nice shohin pots that really move me, not counting the fifty that have trees in them.
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As far as material, I look at it and decide how much work it will require and then decide if after the work is done could it be a masterpiece tree. If not I move on. My time is worth a lot of money and I don’t have it to waste on crappy stuff. I would rather save and buy something that “can” become worthy of the name bonsai
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"Mark R. Wrote some nice things about some members pots here. I wasn’t so moved as he was."
Err, well, um, the person making those pots is a new bonsai potter in the U.S., NOT a professional storied Japanese master. There is no real comparison between the two.
I was moved by the Sorce's work because he is on the path towards making great bonsai pots. Is he there yet? No, but his path to great stuff is shorter than a lot of Western potters making "bonsai" pots, even some who have been making them for years. We need more American potters who understand bonsai, pottery and the willingness to get out there and make stuff, even though people may turn their noses up at it at first.
Don't get me wrong, I am a big fan of BOTH Japanese pots (have several dozen, including many of the fussy little shohin pots like you have ;-)) and Western bonsai pots. I appreciate both and will buy both, if the work is worth it. Among the best bonsai pots I have (and I have a lot) are pots made by Americans--Dan Gould, Ron Lang, Nick Lenz, Sara Rayner. Started buying their pots two decades ago or more when imported Tokoname stuff was extremely expensive. Haven't had any regrets, even though it's become more affordable to buy fussy pots from Japan nowadays ;-)