Vance Wood
Lord Mugo
I acquired this Shimpaku in the 1980's, and as it seems in the scheme of things that is over 30 years ago. It was started from a 3 gallon nursery tree and considering that my skill level was Thirty-years less than it is today and my artistic vision was not much better, it has taken a good deal of time to get it to this point. I do have a VCR tape of the original styling back in 1982 but not the equipment to digitize it so this is the earliest photo of the tree I can find. This is about the second styling attempt after I realized trees don't get better by themselves.
This is the same tree at the beginning of another restyle where I received one of the greatest suggestions that I should quite doing bonsai if this is all I can do after 30 years.
Nothing had as yet been done to clean up the image as it was in a rest period.
This spring I started to further develop the new style I have had in mind. It is not as yet finished. This was two days ago when the weather started getting nice and even warm.
The tree as it looked Yesterday afternoon when the winds blew me off the deck so to speak.
For those who are interested the pot is a Sara Raynor Pot.
Very much in the way of additional work is required here. Branches have to be moved to fill the design and a lot of foliage has to be carefully removed to "provide a place for the birds to fly through" (J. Naka).

This is the same tree at the beginning of another restyle where I received one of the greatest suggestions that I should quite doing bonsai if this is all I can do after 30 years.
Nothing had as yet been done to clean up the image as it was in a rest period.

This spring I started to further develop the new style I have had in mind. It is not as yet finished. This was two days ago when the weather started getting nice and even warm.

The tree as it looked Yesterday afternoon when the winds blew me off the deck so to speak.

For those who are interested the pot is a Sara Raynor Pot.
Very much in the way of additional work is required here. Branches have to be moved to fill the design and a lot of foliage has to be carefully removed to "provide a place for the birds to fly through" (J. Naka).
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