Lol. I remember this thread, thanks for bringing it back up.
They're both fake! Why? Let's do the breakdown:
The 1st barely bares mention, the clay is too regular, the method of foot attachment or cut incorrect, the center chop in the Kaede leaf looks nail carved and not impressed, and most of all: the drainage holes show no burring and were cut at an angle: FAKE. And don't even get me started on the clay.
I'll reiterate what I mentioned earlier in the thread because it's one of the reasons these pots are so valuable. Tofukuji didn't have a kiln. He lived in abject poverty for nearly his entire life, and used the common kiln(like a public co-op) until he was able to use the kilns of (relatively) successful potter friends.
The second is much better. I'd say 70-30 fake-real. This terebineri hand formed style is very common among Tofukujis, and also very easy to imitate, in the rough. 1st sign, position and depth of the chop. While its in the right spot, Near the edge, between the feet, it's not as sure and deep as I'd expect. Second: foot attachment. Tofukuji used an unduplicatible method of foot attachment/forming on his terebineri pots that no one has really figured out. Either they're formed from the clay while turning or attached in such a way as to make a NEARLY invisible junction. The gap between the bottom and the feet on the inner side is a dead tell, these feet were obviously attached: part of the mystery of Tofukuji hand formed pots is no one can figure out whether he attached or somehow formed the feet during turning; QED. 3rd: these days this pot is worth 15-30,000¥, and that's retail, if real.
I'd kill a man for a box full of Estate Sale Tofukujis...but who forgets that they paid 500$ for something(5 years ago) or 700$(15 years ago) or a a grand(during the boom, that's what this pot would have fetched)????
Ryan
Http://JapaneseBonsaiPots.net