Attila Soos
Omono
Greetings Attila,
While I adjust my hockey helmet let me just say that your always full of surprises and definitely one that is hard to get a handle on.
As I get older, I am worried that I am getting woefully predictable. So your comment about me being full of surprises fills me with delight, to say the least. You've just made my day, but I knew I can count on you.
By the way, I would have never made my comments on the redwood, if it was somebody other than you to comment on. You are one of the very, very few people whom I trust that can take my remarks in the spirit they were made. I can count on one hand the number of people I enjoy exchanging ideas with, as much as I do with you.
For the "NORM" no argument from me its simple and safe. I also appreciate your geographical local to these trees in nature and how your mental image must be cemented in place.
Well, this tree is very versatile in its ability to survive. Here in Southern California, I've seen many fine specimens. I have one that has grown into a four inch trunk in 5 years, so they love it here. But when I lived in Vancouver, British Columbia, they thrived over there as well, they were planted all over the place in that city.
So, I've seen many mature specimens, but what I have not seen, is a very old one. A tree in the post-mature stage, as Robert Steven puts it. I would love to see an ancient one, since that would be the real inspiration for me.
However, for a guy who is pretty articulate about art and its concepts, I am surprised to say the least. Is there no room in your imagination to use a specific piece of material to create a image unrelated to what it looks like in nature. Surely you have junipers...well....you know where I'm going and if not we can revisit Collecting Trees from Nature for Bonsai though I prefer not to.
You finding it repulsive is your choice, nothing wrong with that, its your choice. However playing to a trees other attributes other than its trunk and how it can be presented is worth the effort to explore.
A good case in point would be my wisteria that was presented in the pot contest a few years ago. Go here for a refresher. In that thread Bill V stated I respect Bill very much and to him this was appropriate approach based on his personal experience. However there was another way to highlight a non trunk feature in the same way with out pigeon holing a tree into a specific style by extending the branches letting the racines cascade downward right outside the lip of the pot.
There is definitely room for imagination to shape a tree in any form. That's why I tried to emphasize in my post that what I said, is only my personal taste. I am very reluctant to call something "right" or "wrong" in bonsai, knowing how diverging peoples' preference can be. So, no, there is nothing "wrong" with shaping a redwood with a curvy trunk. Wit regards to Bill V.'s comments, I completely agree with you: there must be more than one way to skin a rabbit.
But I have no problem expressing my disdain or dislike when I see a bonsai that triggers such a reaction. After all, it's my personal feeling I am talking about, and you wouldn't want me to lie about it, just to please someone. When I show a tree to somebody, I want honest comments. So does everyone else here on this forum.
Returning to the redwood, the dislike of a wavy or curvy trunk on a redwood happens on a gut level. I can't really control it. I could try to tell myself: "Attila, you have to like this tree, because in art we can do whatever we like", but I don't think that meditating a few minutes on why should I like it, would do the trick.
I suspect that my reaction has to do with credibility: I know redwoods, I know how they grow, and I can't pretend that I don't.
A bonsai artist has to trick the viewer into "believing a story that the bonsai conveys to the viewer". Bonsai to me is more than just being a pretty or decorative piece: it expresses a mood, feeling, or moment in time that has its foundation in a story. This story can be a real story (inspired by nature), but can also be a fictional one. If the image in front of me seems false, I will dislike it. It doesn't have to copy reality, but it has to make the impression that there is a story behind it. This "story" can be a fantastic story, a science fiction story, a surreal story, a fairy tale, or a naturalistic one, it doesn't matter. But it has to be a good story that I can relate to.
It's not a matter whether we can bend a trunk or not. It's a matter of the end result appearing genuine. And this is always subjective to the viewer.A redwood with a wavy trunk is not genuine to ME, unless it is presented in a context that can justify its wavy-ness. On the other hand, it can appear genuine to YOU, if you have no idea about real redwoods.
You've mentioned using junipers....
This is an important point: why is it OK for me to use junipers in various forms that do not follow their true nature, while I don't do the same with redwoods??
I think there is a very good reason for that. It has to do with the overall appearance and character of the species. In bonsai, as we know, each species has a character, or a "personality".
Some species have a very wild and strong character. They are very hard to "tame", and you can tell this right away, when you work with them. For this exact reason, many bonsaists call them "difficult", and stay away from them. The redwood family is one of these.
Other species have an easily malleable, flexible nature. They easily respond to any bonsai technique. Juniper is the typical example, and this is why it is so popular. It also lends itself to miniaturization, since the needles or scales are so small. With the juniper, you can suggest the image of a pine, spruce, fir, etc.. that's because it has small needles that can suggest the foliage of any other conifer. It is very versatile this way.
On the other hand, a redwood can hardly suggest anything other than a redwood, due to its peculiar foliage, growing habit, and overall nature. This is the big difference between a juniper and a redwood. A juniper can pose for many things. A redwood cannot.
I thought your first post succinctly expressed your thoughts ...but since you put it out here
You can't have ever lived in the tundra where I do...other wise you'd appreciate a Rotty as a lapdog
You are right, I would probably keep him in my bed most of the time.
Finally I would say that this is hardly an "S" shape as I'm familiar with. Sure you haven't been sipping on the water can? Though a 2D image can be deceiving when snapped at random.
Attila rest assured that this isn't the norm. I grow these and when you see them in the field lined up like toy soldiers ram rod straight row after row you tilt your head and think to yourself .... I wonder if
Yes, I was oversimplyfying, using the S-word to make the point. But it has a lot of curves, for sure.
I can see that after having so many straight ones, you might as well experiment with something else.
It is not the existence of curves that bothers me, but the nature of curves: they are too smooth. If you replace them with more jagged ones, suggesting sudden changes of direction, the picture becomes more genuine. A smooth curve has to do with the nature of the species: a species that can grow in a meandering fashion. A jagged curve suggests a sudden event (or series of events) or accident that interfered in the life of the tree, while the tree maintains its strong character and individuality.
Boy, this was a long post, sorry for that. I've filled my quota for this week.
But it was fun, thanks for being a good sport!
For Ryan,
Forgive me for taking up so much space in your thread, hopefully you have the answer you were looking for, from Tom.
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