Greatest American Bonsai

Personally I was most blown away by his two tree beanpole geriatric style composition (which I don't have a decent picture of but it was in his books). To be in the presence of that bonsai was amazing. Larch won't live down in DC but some of his work is at the Montreal botanic garden and at Weyerhaeuser amongst other places.

You mean this one? It is at Montreal but the small trunk is dead now. Sucks.

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Or perhaps this one. Gorgeous in its simplicity. I think they eventually became part of a forest?

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Naka's Goshin, hands down, not because its particularly terrific design-wise or a difficult species. It's because it marks the beginning of post-war American bonsai. It has become something of an icon. It has influenced literally thousands of people over the years.

That is the very first one that came to my mind.
 
You mean this one? It is at Montreal but the small trunk is dead now. Sucks.


7aOnFpR.jpg



Or perhaps this one. Gorgeous in its simplicity. I think they eventually became part of a forest?

I13FD8k.jpg

Yes, this is the one, the one with the dead trunk---many of Nicks trees, once sent off to gardens, degrade, mostly due to over-fertilization and to a less degree, lack of devious wiring. Sad to see this piece has suffered. Its hard to imagine how this can happen in such a setting. I do really like the Dragon rock tree at Montreal. It has a beautiful setting--do you know if it still is there sitting in the pool? Oh, and on a personal level how is "Penelope" doing?
 
One of my favorite trees.

Owned by Frank Bardella.
 

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Twister is by far the most impressive bonsai I've ever seen in person. This tree is massive, and a picture cannot capture all of the great details in the trunk and nebari. To me, this tree is iconic.
 
Twister is good.

I like this one also. That's Tim O'Neil with a tree he collected and developed.
 

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There are many better Pondos in America.

Crust you're such a curmudgeon! Can you show a pic or two of your favorite Ponderosa or maybe a link so we can see some?
 
Twister is good.

I like this one also. That's Tim O'Neil with a tree he collected and developed.

That is a magnificent tree Don... Ironically enough, it doesn't get much more Japanese traditional style that that. ;)
 
Yes, this is the one, the one with the dead trunk---many of Nicks trees, once sent off to gardens, degrade, mostly due to over-fertilization and to a less degree, lack of devious wiring. Sad to see this piece has suffered. Its hard to imagine how this can happen in such a setting. I do really like the Dragon rock tree at Montreal. It has a beautiful setting--do you know if it still is there sitting in the pool? Oh, and on a personal level how is "Penelope" doing?

The dragon rock tree... you mean the horizontalis on the rock that used to have a goblin? Last time I was there all of the junipers looked like bushes. Also, the stunning RMJ he gave the Jardin is dead. Now there is just a picture of it boasting about how old it was.

And penelope is doing well. Of course overfertilized according to Nick. But filling out really well... really dense. While not a bonsai technically, she must be one of the greatest pieces of "tree art" in America.

As a side note... a lot of people only think "Larch Master" when they think of Lenz. While he certainly stands out in that field, I think a lot of people forget about his work on horizontalis. Here he is truly paramount. Who else on this planet has put so much effort into developing ground juniper??? Surely this is worth a mention.
 
Seems very sad to me, that the places that should have the tip top care of the trees in mind, are loosing some of the great ones. I feel bad for the artists who donated their works, only to have them decline, or die.
 
Naka's Goshin, hands down, not because its particularly terrific design-wise or a difficult species. It's because it marks the beginning of post-war American bonsai. It has become something of an icon. It has influenced literally thousands of people over the years.

I had the honor of "helping" John when he came to the National Arboretum for the first visit after he had donated the planting. My wife, 8 year old son and I were looking at the collection when I saw this Japanese guy with three staff members coming out a door. They walked over to the trees and started talking. It dawned on me that I was looking at John Naka in the flesh and wandered over to see what the discussion was.

John was going to trim the trees and just examine them and give his opinion as to care in the future. He turned to me, a complete stranger, and ask about my interest in bonsai. I told him that I had recently gotten his book and was very interested in what he was going to do. He said, "Why don't you help me?" Of course I said no way, Ha! He pulled a set of cutters and and scissors out of his pocket and stepped across the rope barrier. Turned to me and said, "Come on."

He looked things over and started trimming off pieces here and there. Then said, "What do you think needs working on." I was speechless but found my voice eventually. There was one limb that I really thought was kind of out of place. I pointed to it and said, "Forgive me but I think this needs to go." He looked, handed me the cutters and said, "Take it off." Whoa baby. I did as instructed. I actually got to cut a limb off the main tree under his instruction. He took that limb in his hand and looked it over and then said, "This will root, take it home and plant it in some potting soil." I did take it but it was about 4 days before I got home and it didn't take.

My wife managed to get a photo when I was standing behind John and pointing out the branch that I thought needed cutting off. I'm the guy on the right with the bucket hat on. Over on the left is a person from Japan who was visiting John. John introduced him to me but I have no memory of what his name was. I gathered he was a well known bonsai person in Japan at the time.

I was on bonsai cloud nine for several years after.
 

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This is a photo when we moved the planting off the display bench to a work table so it was lower down to work on. Before we did this John climbed up on the display bench and was standing over the tree to get at it. I have a photo of him on the display bench also.
 

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I had the honor of "helping" John when he came to the National Arboretum for the first visit after he had donated the planting. My wife, 8 year old son and I were looking at the collection when I saw this Japanese guy with three staff members coming out a door. They walked over to the trees and started talking. It dawned on me that I was looking at John Naka in the flesh and wandered over to see what the discussion was.

John was going to trim the trees and just examine them and give his opinion as to care in the future. He turned to me, a complete stranger, and ask about my interest in bonsai. I told him that I had recently gotten his book and was very interested in what he was going to do. He said, "Why don't you help me?" Of course I said no way, Ha! He pulled a set of cutters and and scissors out of his pocket and stepped across the rope barrier. Turned to me and said, "Come on."

He looked things over and started trimming off pieces here and there. Then said, "What do you think needs working on." I was speechless but found my voice eventually. There was one limb that I really thought was kind of out of place. I pointed to it and said, "Forgive me but I think this needs to go." He looked, handed me the cutters and said, "Take it off." Whoa baby. I did as instructed. I actually got to cut a limb off the main tree under his instruction. He took that limb in his hand and looked it over and then said, "This will root, take it home and plant it in some potting soil." I did take it but it was about 4 days before I got home and it didn't take.

My wife managed to get a photo when I was standing behind John and pointing out the branch that I thought needed cutting off. I'm the guy on the right with the bucket hat on. Over on the left is a person from Japan who was visiting John. John introduced him to me but I have no memory of what his name was. I gathered he was a well known bonsai person in Japan at the time.

I was on bonsai cloud nine for several years after.

This is one of the nicest and most respectful stories I have ever read on these forums. Whenever things get out of control around here. I would suggest people remember this story. One of the most influencial artists in history meets someone and asks him to help with one of the greatest bonsai in history. I cannot recall ever reading a story that has demonstrated a higher level of mutual respect, trust, friendship and/or opportunity all in one short story. Thank you very much for posting this.

Rob
 
John Standing On Display Bench

This is when John had climbed up on the display bench. He was speaking to one of his Japanese guests. I think the discussion was something along the lines of, "Hey John, why don't we get this thing down where you can work on all sides." It was all in Japanese but he got down and we moved the tree then.
 

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