Victrinia Ridgeway
Omono
One of Bill's sentences......The successful Artisan Cup exhibition was organized and tightly controlled by Chelsea Neil..... speaks volumes. #hilarious
I guess I'm a little dense. You say it "..speaks volumes", but if I put up $400k+ I would want complete control. can you expand on your message above?One of Bill's sentences......The successful Artisan Cup exhibition was organized and tightly controlled by Chelsea Neil..... speaks volumes. #hilarious
I guess I'm a little dense. You say it "..speaks volumes", but if I put up $400k+ I would want complete control. can you expand on your message above?
John, I would recommend reading the "california juniper ready for show" from eric Schrader that derailed on the issue.
So we can keep this thread on track.
Going back to lighting... I've gotta say, that I am going to try to do a display like that at my house XD.
John, that would mean, in the case of a yamadori, only those who ho out and collect trees themselves would be elegible.
And the winner of First Place, Randy Knight, is a collector!
Let's think about this for a moment...
Horse racing: the horse has to be trained and ridden by the owner?
Car shows: the car has to be built from scratch by the owner?
Dog shows: the dog has to be trained and groomed by the owner?
Doesn't happen. At least, not in to top levels of these contests.)
Did I get surprised when Ryan and Mike had to make the deciding vote for the winner when it was a tie.... and they chose a close partner? Nope. The guy who specializes in selling the most expensive yamadori in the US won a competition being put on by his partners in his back yard. Why shouldn't he have something ridiculously huge and marvelous. Ryan did the work on it.... so his feelings on how the tree would rate compared to others is also not a surprise.
Dan,
I agree with everything you wrote.
However, a few quibbles and rhetorical questions.
Being overly sensitive to criticism is part of every new effort- it's not a good thing. Not directed at you Dan, just in general.
FWIW, my concerns about shipping were not about the show personnel, procedures, handling or even cost--if ya want to play on that level, you have to pay to do it. Same goes for any kind of organized competition. My concerns in shipping a tree cross country are about simple circumstance that is beyond anyone's control. If the tree were in my truck and I was behind the wheel, I would have had no problem.
Also, can't help but notice along with the Western conifer-heavy line up, more than a few of the trees share collector and stylists. While that may be a simple function of a lot of spectacular material was gathered by a few of the best collectors and handled by knowledgeable stylists, there is a surface appearance that could be a little unsettling.
I have never bought the line that a tree has to be completely developed by one owner to be showable. It's an impossible request, especially with older collected material which has to thank mostly decades of simple exposure for its character and design.
Lastly, if this is about American bonsai, why is the next show in Australia? I may have heard wrong?
These are small questions in the bigger picture, though. Ryan's efforts were groundbreaking and have undoubtedly re-wired what a bonsai show in North America is and can be.
But, I guess I don't understand the "partner" part. Having ran a business years back with a partner...(which we now own outright. I guess I'm having trouble with that part.)I believe he wasn't judging the competition but the tie breaker. Still, the money didn't go to his pockets.
All this I have read here...take it fwiw.
But, I guess I don't understand the "partner" part.
Cadillactaste...... yes.... you read correctly. Randy supplies much of the material that gets worked on by Ryan - so yes they are closely connected.... and to be probably 1/3 of the trees in the show were styled by Ryan anyway. So the probability that his work would win was over the top. That he and Mike were the deciding vote in a tie..... that's the sticky wicket.