my fascination with koyo's blue oribe continues... the crazing on this one is mesmerizing. got lost in it last night and an hour blew by!
my first octagon - all the angles really make it difficult to photograph!
Would any pot-makers or chemists (
@Roy Minarai ? - asking because i'm familiar with your dynamic blue glazes

) know why Aiba Kouichirou's blue oribe pots have a rim along the bottom (the foot usually) where the glaze is darker, and the silver 'speckles' are 'blotchier'? I'm asking because I noticed that there are some Juko pots where the entire pot is dark blue with bigger blotches of silver (see attached example pic taken from web).
Could this be an air flow issue? Less flow near the foot of the pot, and in some cases the entire pot gets less air flow given it's placement in the massive walk-in kiln?
as an aside, his green oribe tends to develop a darker stripe along the bottom:
https://bonsaiprelude.wordpress.com/2014/01/23/glazed-and-confused/
Maybe a similar phenomenon?
Thank you!
Derek
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