Just remember that we have discussions like this because we have true artists in our midst and we keep trying to understand how these artists achieve the level of beauty they achieve. We also have less than stellar artists that are smart enough and observant enough to define the way these masterpiece bonsai are defined and write down the nature of these trees in form and shape. Then we take those discoveries and accept them as RULES and attempt to design trees that look like examples of these rules. I short; we copy success, we venerate success, we try to achieve this success.
Where we have problems is that we have less than stellar artists who can see success but not achieve it themselves, telling those who are seeking a way in the art how to do bonsai. In so doing and justifying themselves, they cannot bear that someone who may show some real talent do something beautiful that does not fit their narrowly defined pathways toward a success that still eludes them. In a world where the term "Thinking outside the box" is not allowed, their close adherence to a string of principles defining bonsai becomes a goal in itself, that at best produces mediocre results.
Exactly! That's why 100 people can buy one of those cookie cutter pines, but only 2 or 3 of them are really stellar examples and end up in a showing like Kokufu. It's those who have mastery of the rules/guidelines, or have enough mastery to bend said guidelines in an artistic way, that will get their tree recognized. I look at top notch trees to learn how to make my own top notch, I look to master level trees to learn how a guideline works, and also
how and
why to bend or break it. When I see a tree that looks really good, it inspires me to learn
why it looks so good - and then I try to replicate that in order to learn, and ultimately adapt what I've learned to add to my "bag of tricks" I can use on future trees. Because, at the end of the day, if someone asks you a critical question about your tree, how do you want to answer?
Do you want to say something like:
"well, initially I thought the branch should go over here to follow convention, but after further consideration of the deadwood features I felt I should forgo the standard placement in order to use the foliage as a frame to highlight the deadwood, thus creating a harmonious balance between positive and negative space around the trunk and unifying the image of the tree"
or:
"Uh, I don't know... because I thought it might look pretty?"
I'd like to think all of us would want to sound like the first example.
My grandfather had a saying: "You should always reach for the stars. Even if you don't make it, you'll never end up with a handful of mud." And trust me, I will never let my trees grow in mud! And that was literally one of the first guidelines I learned!