Are you a Parrot?

Adair M

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Sifu,

with Grow and Clip [ Lingnan] the idea is to work with the
tree. It tells you what to do or what it can do.
Harmony.
Tai Chi using Bonsai/ Tree Penjing
Good Day
Anthony
I don’t do Penjing.

I do bonsai.

I have no problem with “grow and clip”! I do that with virtually all my trees! Lol!!! I also combine that with wire.

When shoots extend, the shoot generally grows straight. Internode after internode, the shoot is straight. When you cut back, the piece of stem remaining is straight. New growth comes out from where there are leaves, an they’re on the sides, and so a change of direction occurs. And continues straight. Unit it’s cut. And then a new direction starts.

This makes for branches (trunks, too) with abrupt angles. Over time, lots of it, the tree will add wood to soften the angles some, but it still has an angular, coarse look.

With wire, I can put in curves between the internodes. I can soften the angles created by new shoots coming off buds that appear after I’ve clipped. The trees can have soft curves, not harsh angles.

I prefer bonsai to Penjing. I don’t particularly like Lingnan style.
 

Anthony

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Wouldn't expect you to Sifu.
It is Farmer-Scholar bonsai [ Tree Penjing ] - Wu Yee Sun.
Good Day
Anthony
 
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Smoke

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This is pretty laughable to me. In the past week I had a professional do a demo at our local club and host an open house at our local nursery where he demoed three trees. All for free.

OK, so this isn't working with the pro, right? I then took a private class for $110. There were 5 other people in the class. One person worked on a $10 hinoki from a big box store. That person received as much help as anyone else. And this is in Michigan. I am sure you must have similar opportunities in California, one of the main bonsai hot spots in the US. To frame the situation as "us vs them" where there are people spending thousands vs people spending nothing is not only divisive but 100% factually untrue.
I have no idea who you are. Have never met you, but since it seems you have no problem jumping into the fray, I’ll ask a few questions. Since you seem to be the epitome of a parrot currently, that perception could change by showing us just exactly what you took to this 110.00 dollar class. Explain just what you got for your money and how you applied that to your trees. You want to come here and puff up your chest about how it should be done? I love watching a great progression thread. The choice is yours, stand out from the crowd or be another voice among hundreds here that never post any trees or ever improve them.

I been here for a while so I’m not going anywhere.
 

Paulpash

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I have no idea who you are. Have never met you, but since it seems you have no problem jumping into the fray, I’ll ask a few questions. Since you seem to be the epitome of a parrot currently, that perception could change by showing us just exactly what you took to this 110.00 dollar class. Explain just what you got for your money and how you applied that to your trees. You want to come here and puff up your chest about how it should be done? I love watching a great progression thread. The choice is yours, stand out from the crowd or be another voice among hundreds here that never post any trees or ever improve them.

I been here for a while so I’m not going anywhere.

I'd like this too - just to see you acknowledge a good progression thread. You're good at pulling folk up but bad at giving them props when they do post actual work on trees.
 

Jester217300

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I have no idea who you are. Have never met you, but since it seems you have no problem jumping into the fray, I’ll ask a few questions. Since you seem to be the epitome of a parrot currently, that perception could change by showing us just exactly what you took to this 110.00 dollar class. Explain just what you got for your money and how you applied that to your trees. You want to come here and puff up your chest about how it should be done? I love watching a great progression thread. The choice is yours, stand out from the crowd or be another voice among hundreds here that never post any trees or ever improve them.

I been here for a while so I’m not going anywhere.

Posted the thread yesterday. Can't comment much on progress because I haven't had the tree very long.

https://www.bonsainut.com/threads/collected-colorado-blue-spruce.34354/#post-573374

Also I have no idea how posting my personal experience is being a parrot.

What I got for my money is

- guidance on wiring technique
- styling advice
- aftercare for the tree
- advice on how to proceed with the tree over the next few years
 
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music~maker

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Ah! Now we’re down to it! You’re fighting your trees!

You are right, the key is to work with the tree. What we do in bonsai is do at the micro level what the tree does at the macro level.

A tree at the micro level might put out shoots in all directions. Over time, some of those shoots will grow to find the sun and thrive, some of those shoots will get covered by others and wither and die. This process might take decades to play out in nature. We have to understand how the trees grow to guide the micro to appear to be macro. We have to do this with deliberation, not by chance. You see, with bonsai, we not only “miniature” trees, we simulate compression of time. We seek to achieve in a few years an image that it takes nature decades or centuries to achieve.

Sure, you can let the tree take control. Be prepared to wait.

Adair, I've never agreed with you more on anything than I do with this comment, and in my own experience, this is the kind of observation one inevitably has after many years of observing trees respond to bonsai techniques.

Though I think you do play the "boon said this or that" card a little too often, I do very much respect that you apply the techniques you learn directly to your own trees, and comment on things that you know work. I think sometimes that you exclude other things that may also work because they don't fit your world view (soil components are a good example), but there's no doubt that you've gotten great results, in the style you prefer, by doing things the way you've been taught.

I find threads like this both fascinating and pointless, yet at the same time interesting because they drive discussion and yield different perspectives from the same set of people who are at once passionate about bonsai, yet all come at it from different directions.

There are quite a few people here - yourself, @Smoke, @Anthony, @MichaelS, @sorce, etc, who always jump into the fray whenever topics like this crop up. All of who I have learned things from over the years, and all of whom I've disagreed with numerous times on numerous topics.

@Smoke - I do see your point in posting this thread, but I think it's important to realize that participation is an important part of learning, and different people have different approaches. Someone might start as a parrot, and that may eventually evolve into sharing more direct experiences that they have had. I do have mixed feelings about this, even as I type it, because there can definitely be harm in blindly posting information that either may not work for everyone or worse, may not work at all. But this is the Internet, and I feel like raging against this type of thing is like standing at the ocean, and raging at it for being wet. Might feel good in the moment, but perhaps there are better uses of one's time and energy. And what I just said here is from direct experience - I co-moderate the reddit /r/bonsai sub, and it has 60k+ subscribers. Combating misinformation is a never-ending project in a place where the vast majority are completely new to the topic.

My personal approach, as someone who is self taught on bonsai over the past 23 or so years, is to take everything with a grain of salt until I've tried a technique and proven to myself that it works. And even those who I disagree with on certain things often add value in other areas, so I try to always keep an open mind when reading people's comments. But I also vehemently object to putting people up on a pedestal. There are people with experience worth listening to, but anyone who is sufficiently motivated can (and should) follow their own path, learn their own lessons, draw in the wisdoms from those who have come before when needed, and maybe eventually even advance the state of the art.

Not trying to change your mind, and I deeply respect the bonsai experience you bring to the table. Just offering some thoughts and perhaps another perspective.

Cheers everyone.
 

Smoke

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At some point everyone parrots/references their source. One can't tell me that the techniques they all learned didn't come from somewhere. Personally to get tidbits of any information one apprentishiped for in Japan is a golden nugget. It is MIND BOGGLING the cahoonas people have that those one's who spent time and money to learn in Japan...or even from one who is in the states now that learned in Japan. Is worthless...is ridiculous to me. I watched Collin Lewis's wiring technique and it furthered my direction. Why try and fail if one can learn the right way from the start.

Ones have parroted Al's techniques as well with no back lash. One comes to a forum to gather direction and learn...and share. I find this ridiculous. To be jealous of one's who paid and dedicated their lived to a full time career in the hobby. They should be respected...for their knowledge.

I for one...hope all who share from those who paid to learn in Japan continue to do So.

You still don't understand this thread do you?.....
 

GrimLore

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You still don't understand this thread do you.....

I do and have made a serious effort this year to photo document what I see and do. Something in the photo department I have been to lazy/busy to do. I do however explain what I see what works or does not here for me - for those within a couple of hundred miles they learn hands on here if they do not understand all the conflicting things they read. Trust me many have learned more hands on at the house then they have been striving for hands on and local, including clubs - not documented in photo's but good. I am hoping to always photo document these experiences also but hey I get "caught up" and can only try to be better at it.

The worst non-photo experience I have ever had was with @Mellow Mullet at his place a little over a year ago - five adults all with cameras and we were all so caught up in the day NONE of us ever took one picture.... ARGH.

Grimmy
 

Adair M

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I do and have made a serious effort this year to photo document what I see and do. Something in the photo department I have been to lazy/busy to do. I do however explain what I see what works or does not here for me - for those within a couple of hundred miles they learn hands on here if they do not understand all the conflicting things they read. Trust me many have learned more hands on at the house then they have been striving for hands on and local, including clubs - not documented in photo's but good. I am hoping to always photo document these experiences also but hey I get "caught up" and can only try to be better at it.

The worst non-photo experience I have ever had was with @Mellow Mullet at his place a little over a year ago - five adults all with cameras and we were all so caught up in the day NONE of us ever took one picture.... ARGH.

Grimmy
Lol!!!

When I am at <redacted>‘s place we always try to remember to take a before, and after picture. <redacted> posts most of these on his Facebook page.

I posted many on THE TREE THREAD, a couple weeks ago of the before and after pictures along with a short description of the work I performed.

Sometimes I forget to take a before picture, as I am always eager to begin work.

I find it harder to take a photo of my trees at home. I don’t have a photo booth set up like <redacted> does. And often I will do a little work on a tree “spur of the moment” when I see something needs to be done.
 

GrimLore

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Sometimes I forget to take a before picture, as I am always eager to begin work.

I find it harder to take a photo of my trees at home. I don’t have a photo booth set up like <redacted> does. And often I will do a little work on a tree “spur of the moment” when I see something needs to be done.

I am still working HARD to do a before picture at home - Crystal finally suggested after the last two I missed I take the camera out BEFORE the work and I have placed it on TOP of tools as a reminder - messed up but normal here :p

Most everything I have ever done is "spur of the moment" and I myself have lost a lot not doing a before, including credibility, With upcoming people coming for weekends AND the camera being on top of tools needed I HOPE it is remembered and not just tossed to the side as usual - Don't know why but I am guessing when we do things for so long it just becomes normal and not important, just proper.

Thank you for the post, I was questioning my sanity in my old age :p

Grimmy
 

MichaelS

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Ah! Now we’re down to it! You’re fighting your trees!

You are right, the key is to work with the tree. What we do in bonsai is do at the micro level what the tree does at the macro level.

A tree at the micro level might put out shoots in all directions. Over time, some of those shoots will grow to find the sun and thrive, some of those shoots will get covered by others and wither and die. This process might take decades to play out in nature. We have to understand how the trees grow to guide the micro to appear to be macro. We have to do this with deliberation, not by chance. You see, with bonsai, we not only “miniature” trees, we simulate compression of time. We seek to achieve in a few years an image that it takes nature decades or centuries to achieve.

Sure, you can let the tree take control. Be prepared to wait.
Stop trying to educate me Adair. You have no idea what I'm talking about.
 
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MichaelS

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Design is not a blueprint. Design is a compass in your mind that consistently points in the direction of what works visually. Design is what allows you to make thousands of little decisions about form, line, texture, color, the interplay of positive and negative space, etc. and progressively iterate until you’ve converged upon something sublime.
Hardly sublime! Design suggests total control and that just does not work with bonsai. It leads to a parody.....
This tree was designed...

bbj.JPG

On the other hand, letting go of total control gives you a chance of finding sublimity.......
This tree was not designed.....It has been carefully controlled over many decades yes, but not designed.
Both of these trees are collected material.

natbonsai.JPG

Tell me you can see the difference.
Tell me you understand which can really be the only way forward when trying to capture what bonsai is supposed to capture.
 

Smoke

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Tell me you understand which can really be the only way forward when trying to capture what bonsai is supposed to capture.

What is it that bonsai is supposed to capture and who is the arbiter of that idea?

I mean...who am I supposed to report to when I want to clip a shoot?
 

Adair M

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Hardly sublime! Design suggests total control and that just does not work with bonsai. It leads to a parody.....
This tree was designed...

View attachment 198349

On the other hand, letting go of total control gives you a chance of finding sublimity.......
This tree was not designed.....It has been carefully controlled over many decades yes, but not designed.
Both of these trees are collected material.

View attachment 198351

Tell me you can see the difference.
Tell me you understand which can really be the only way forward when trying to capture what bonsai is supposed to capture.
Michael, that first tree was styled by Owen Reich while he was an apprentice in Japan. It was styled like that because it was either a customer’s tree who wanted it to look like that, or the Master knew his market and knew that trees styled in such a manner sell. I have spoken to Owen specificly about this tree. Owen told me that this is not how he would have styled it, but that is how the Master wanted it to be styled. When you are an apprentice, you do what the Master (or Senior) says. No questions. I will have to say that it took a lot of skill to make such perfect placement. I couldn’t do it f I tried. In this case, Owen did what what he was told. Because that was what the owner wanted. This is a variation on the “pagoda” style, mimicing the roof structure of the shrines in Japan. As such, it is probably unique to the Japanese culture and those of us outside Japan see it as fake and unrealistic. It’s not supposed to be realistic. In this regard, it could be seen as topiary, but using bonsai techniques rather than shears. There is a market for trees styled in this manner in Japan, just as there is a market for trees that look like pompons here in the US for formal gardens.

The second tree, is a mess. While you may say it’s naturalistic, it just looks unkempt. It doesn’t look “naturalistic” to my eye! On the right side, the lower branches are very sparse, they’re being shaded by the overly dense canopy above them. Ok, I’m sure you’re going to say that’s natural. Fair enough. But what about the left side? There the lower foliage is very dense, and the upper foliage is thin! You can’t have it both ways! The movement and flow is inconsistent as well. Frankly, this looks like a composition that was well styled at some time in the past but has been neglected for a couple years.
 
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