OK, another opportunity to make myself new enemies
This Olea lloks like a Juniper.
This looks like a “real” ancient olive in the Mediterranean hills.
To me, it doesn't at all: I live in Europe, not Canada, and from Southern France to italy, Catalunya, Spain, Portugal and Morocco, this is not at all what I remember of the thousands of Olive trees I've seen.
Technique here has overwhelmed nature: this tree is not a rendition of the many olive trees I've seen down here, and that includes huindreds of trees that have been left unattended for generations.
Very good work, but don't call it "naturalistic" Olea. It isn't . It's a very good bonsai, that's all, and I find it disappointing.
You might find it less "modern", but this is how I remember a venerable Olive tree :
Wouldn't less be more ? To me, "dead wood" is much too often an artefact : it looks spectacular, but is it always coherent, or even relevant ?....
To me, the (rather thin for the rest of the design) "ten-jin" steals the show : it detracts the attention of the spectator whereas the major interest of the tree is the base. To me, the rest is just "bluffing".
That's why I find this tree of yours disappointing
I hope you can take my critique for whatit's worth. Just a personal view, hope you don't mind
Alain K.