ABS Kintsugi Pot Display - Preliminary Composition
Here is my preliminary setup of pots with stands in the "Nanaten Tana-kazari" (七点棚飾り) following the shohin display standard.
(七) Nana = 7
(点) Ten = Measure word for point
(棚) Tana = Shelf
(飾り) Kazari = Decoration
= 7 Piece/Point Shelf Decoration AKA 7 Point Display
Here's my breakdown of things I'd like to elaborate on and possible changes:
1) This main pot is the largest pot and sets the foundation and direction. The joinery with the missing foot is set on the right, suggesting motion towards the right.
2) This pot is already fairly large and doesn't need a stand. This stand will likely be removed.
3) Not all pots will need stands. Some will be removed, and some will remain.
4) These pots will likely swap spaces with (5) move down with the Hattori pot (designed pot) swapped to the left. One has to imagine a tree in that spot, and it'll most likely be a tree that semi cascades, motioning to the right with the oval being the landing in the 5th spot (bottom right).
5) These pots will go up to contrast with the main pot. Will likely remain in the same position to separate the round features. The Tofukuji, with its straight lines and corners, will be a good separator.
6) This pot is too large between (7) and (8). It's too large and round to be set high between the three. This pot will be removed.
7) This accent Heian Kouzan will need a slab; I'll be borrowing from a study mate. A slab could either be singular or could be large enough that have to also include (8).
8) This antique Japanese pot is perfect but needs to be set higher. I have a round tall stand but it's round and does not fit this square pot. The same study groupmate also has a square tall stand, which will be very delicate and be perfect for this composition.
9) This is the seki or the boundaries of the Nanaten Tana-Zakari.
I'll be grabbing the missing pieces tomorrow and repositioning these changes.