Thoughts on this Pot

Here is a forest pot I made with my thumb prints just dancing about! Also in my favorite clay body, Speckle Tan Laguna. Chummy!View attachment 86482View attachment 86483@hometeamrocker
They are good when they ring like a bell!
Aaaah music!
For me it's a "not," but I do like the speckled clay.

Maybe you should just mold bonsai pots out of C4 though; it would save time ;)
 
I have an idea! From now on if majority rules that one of my pots SUCKS, no Blows :)

You have to assume ALL your pots will suck... at least for some number of years. How is it possible that your pots will compete against pots made by people who have been doing this for 20 years under strict apprenticeship? They won't. It is very similar to bonsai... you can't start in bonsai and then in a single year assume you will have developed the skills to be a master...

But like bonsai, potting is a journey. Continue working on your technique and knowledge, and assume that 100% of your pots for the first 5 years will suck. Look at each pot like an experiment and learn from it.
 
I like that speckled one.

But I would be concerned with drainage.

One day. A pot and a knife!

Sorce
 
Um, the speckled pot, although it is attractive, has some potential drainage issues that would be a deal breaker for me if I saw it for sale.

Extremely shallow pots are notorious for not draining well in the first place. They tend to drain very slowly because the water column they contain is shallow and doesn't "push" water out. Water tends to stand in the bottom of them-- if there aren't allowances for that tendency-like drain holes at the corners or ends, as well as the middle. Although this one have a number of drainage holes, they're not placed all that well. There are significant "dead spots" on the surface like at the lower left and upper left edges, as well as the lower right side. The indentations from the thumbprints here would tend to make that drainage problem worse, allowing small pools of water to form and stand--Bad news for roots. I'd see this one as a potential tree killer. Sorry.

I'm all for quirky handmade, but the bottoms of pots have to be level and pretty smooth universally. You can't ignore function. I'm no potter, but the long-time bonsai potter I know pretty well uses a slab roller, to take care of that issue. Those things are expensive, but there are probably cheaper alternatives to making level, even slabs for pot bottoms.
 
You're right, it does! I think I would lop its head off at the neck and re-grow it. ;-)
Yeah, then you could have a little tuft of that fine salicaria foliage at the top, like the hair on a "troll doll"!!
Edit: here, I made a virtual of where it could be taken with a little time and effort:
image.jpeg
 
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You have to assume ALL your pots will suck... at least for some number of years. How is it possible that your pots will compete against pots made by people who have been doing this for 20 years under strict apprenticeship? They won't. It is very similar to bonsai... you can't start in bonsai and then in a single year assume you will have developed the skills to be a master...

But like bonsai, potting is a journey. Continue working on your technique and knowledge, and assume that 100% of your pots for the first 5 years will suck. Look at each pot like an experiment and learn from it.

I agree and disagree. My very first pots were a complete joke, as they should've been . However, I have made a few that I am quite proud of, and have sold some as well, to bonsai professionals, nurseries and hobbyists alike. Are they as good as pots will be if I continue making them for years to come? No. Are they as good as our established American hero potters? Not even. Is my passion and dedication to the craft and craftsmanship at the top of it's game for a potter that has only touched clay for two years? So far my limited audience says yes. I know there is much learning ahead of me and that is part of the appeal, much like bonsai. It's something you never stop learning. I see almost every one as flawed in some way (especially larger forms), but that is a great reason to try again. The show in Kannapolis in Dec will be very telling for me. All signs thus far have pointed to "yes", and I'll follow the path as long as it's before me...
 
Yeah, then you could have a little tuft of that fine salicaria foliage at the top, like the hair on a "troll doll"!!
Edit: here, I made a virtual of where it could be taken with a little time and effort:
View attachment 86500

Ah yes, I see it now.

un8ov2P.jpg
 
I think if you're going to have a pot with larger feet they kind of need to be less "in your face". If you had used a clay that was darker (in this case) they would be much less prominent. I like the 12" x 9" pot.

I think you are trying to do too much too fast. You are spending a lot of time focusing on the glaze, when the underlying pot needs work. You need to get your pot fundamentals ironed out before you start worrying about glazes.
 
I think if you're going to have a pot with larger feet they kind of need to be less "in your face". If you had used a clay that was darker (in this case) they would be much less prominent. I like the 12" x 9" pot.
Yes, I just picked up a very dark clay yesterday, it comes from Flint Kansas, it's called Flint Dark.
I think you are trying to do too much too fast. You are spending a lot of time focusing on the glaze, when the underlying pot needs work. You need to get your pot fundamentals ironed out before you start worrying about glazes.
I agree completely! I am done glazing for awhile. When I start thinking about the glaze half way through a pot it really effects the important part. The pot!
Thank you guys so much for your feed back. Great stuff!
 
You are,however, a talented glazier. If that is the word.
Thanks so much @Geo ! Glazes really take some getting used to. That last 9x12 started out as a test to see what it took to drip. It looked like this before fire.image.jpg
 
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